LOG
A Tree Grows In Pittsburgh
The Tree of Life is Weeping
A part of me will forever remain there. I poured my heart into my painting, The Tree of Life is Weeping, and the community, survivors, families of the slain, first responders, received with their selves in tears and gratitude. We touched by means of the painting. To have my artwork contribute to healing—my soul has reached its pinnacle. I will write another blog about what I learned. I experienced a whole kehillah grieving, but also tremendous energy from the world community aimed toward supporting, giving, healing: Tikkun Olam in the deepest sense of the Hebrew word: correcting and transforming evil energy into good. The Tree of Life, the universal symbol of miraculous diversity, harmony, peace and thriving is being nourished by many, in the face of this tragic assault.
I have made a decision to offer giclee art prints of the painting for sale, and donate a portion of the proceeds to the Pittsburgh affiliate of the Hebrew Immigrant Aid Society or HIAS. Because the local community supported HIAS, it was targeted by the shooter.
Tu BiShvat Seder--New & Improved!
I am excited to tell you that my Tu BiShvat seder is available this year in book form! You can find it here. If you give it a review, no matter what you say, and you let me know, I'll send you a little gift. Be sure to include your address when you contact me.
My goal for the Spring is to publish another book on my piece: The Journey of the Soul, the Journey of the Mourner: A Map. I'll have more to say about that when it becomes available in May, ready for the 2018 Chevra Kadisha conference in Maryland, where I will be a speaker.
This past year my artistic talent was devoted to a big project: developing eight new borders for the Reform Movement's life cycle certificates. You can see all eight of them, mixed in with some by other artists. Two sample details are displayed in this post.
My wish for you this secular New Year, is that you are as busy doing things that quicken your spirit and add your unique light to the world.
Many Blessings, Rabbi Me'irah
In the Mind's Eye
What do I see?
I had a lot of difficulty imagining drawing these angels. Seeing them in the "mind's eye" is one thing, but drawing what I see--that is another. Would they be flying around? Encircling? Standing?
I tried doing a drawing of this once for a dying man, and while it comforted the family, I did not like the drawing. That was years ago, and I had been stymied since then as to how to represent the concept that we are constantly surrounded by angels.
The paradigm places them: Michael on the right, Gavriel on the left, Uriel before us, Raphael behind, and the Holy Presence above. I have experienced them: Michael's support, Gavriel helping me prioritize, Uriel lighting the way forward when I felt I didn't know where I was going, and Raphael closing up wounds, smoothing, healing as time passed. The Holy Presence feels further away than the angels, but again, if I put my intention into it, I can experience The light from above.
Yes, I was stuck. But in the meantime, singing about these angels at the bedside of many an ill or dying person, they became close friends, and I witnessed the healing power the concept had on the families and the persons in need of support. I tried drawing them a few times, but was never satisfied with the result.
If I think of the artistic process through the lens of the "Four Worlds" in Kabbalistic thought, I was now swimming in the world of Briyah, Creation, where a concept is still vague. That is the uppermost pink realm in this painting.The idea needed fermenting in order to descend closer to this tangible world.. Next: "Style as a Choice."
Moving from Concept to Actuality
What is the artist's process from the "ahah moment" of an idea, to making it into a work of art?
What is the artist's process from the "ahah moment" of an idea, to making it into a work of art? In this series of blogs, I want to take you with me on this journey.
I think of this process as channeling something from "the Beyond." How can I bring the idea into this physical world, and work with it, until it takes on a life of its own?
In the beginning of Genesis, I think of God as the consummate Artist. God's medium is all the matter of Creation, before it is even matter! In Hebrew, the verb "to create" (lavrie, or bara) can only have God as the subject, because it means to make something from nothing.
For us human artists, the Hebrew word: l'hagshim is more fitting. It means to realize, carry out, effect, execute. What's so inviting about this word? It comes from the root geshem, rain. Therefore it conjures up all that makes a bit of dust become a raindrop and "fall" into our world: moisture slowly condensing until it is significant enough, heavy enough, to drop into our presence. So the "aha" is like the dust mote, and then, I need to collect the thoughts of "moisture" that will bring the idea down to earth.
Here is the process I went through with my painting of "The Four Angels."
There is a compelling piece of liturgical poetry in our bedtime prayers. It gives voice to an idea, that If you speak the prayer, it can move from an idea to an experience:
"In the name of Adonai, the Holy One of Israel, on my right is Michael, on my left is Gavriel, before me Uriel, behind me Raphael, and up above, the Holy Shechinah."
Michael, whose name means "Who is like God," to hold one's hand in order to accompany, so that you might not be alone;
Gabriel, "the Power of God," with his flaming sword, to cut out the detritus in one's life;
Uriel, "the Light of God," to illuminate one's path forward, even if that be only one step at a time.
Raphael, "the Healing of God" who binds up the wounds, spiritual or physical, cleaning up the trail,
and Shechinah, the felt experience of the Divine Presence hovering overhead.
Melodies have made this quote into a singing meditation very useful when people are at their most vulnerable: very ill, dying, or in mourning.
Inevitably, when I have sung this prayer, if the person is conscious, they nod in understanding. I have been told by a relative that she believed this meditation helped her mother release her suffering struggle and die.
I felt I needed to make an illumination to keep this vision present; a reminder that we are, at all times, surrounded by angels. Next: "In the Mind's Eye."
